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Strezov Sampling Cornucopia Strings v1 4 KONTAKT

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Description

Applications : Mac : English
Cornucopia is the
?horn of plenty? (from Latin ? cornu copiae) - a symbol of abundance and nourishment. We recorded and sampled a 20-piece
string ensemble (6-5-4-3-2) which consists of the best string players in Bulgaria - all the leading players in our Sofia
Session Orchestra. Our intention was to create a sample library that has articulations each composer needs in his/her
daily work.
 
One thing
that makes Cornucopia stand out to other string libraries is the 'slavonic' sound ? that special Eastern European
orchestra 'vibe'. The sound of the library is warm and intimate, yet majestic and big ? and this makes ?Cornucopia:
Strings? the perfect starting tool for young composers, as well as a powerful weapon in the arsenal of professional
composer. The strings were recorded in an actual real seating position (violins to the left, celli and basses to the
right) in Druzhba hall ? the same hall where ?Storm Choir? was recorded. The subtle natural ambience of the space
brought the samples to life without compromising the tonal clarity. We used 3 mic positions (close, decca, outrigger) to
allow users full control of the spatial balance, all of them are available for mixing right in the interface.
With
a sampled dynamic range from piano to forte, Cornucopia can be used very well in different contexts. Cornucopia consists
of two types of patches - ?Tutti? and ?Basses?. In the ?Tutti? patches all violins, violas and celli play in unison (as
long it's possible and aesthetic for their natural instrument ranges); the two five-string basses play in unison.
Everything was chromatically sampled.

TUTTI
Tutti Trills ? whole tone / half tone trills
Tutti
Tremolo ? ordinary tremolo, two dynamics
Tutti Tremolo Sul Ponticello ? tremolo, played near the 'bridge' of the
instrument
Tutti Sus ? ordinary sustained notes, two dynamics
Tutti Sordino Sus ? sustained 'con sordino' ?
warm and gentle tone, two dynamics
Tutti Spicc ? short articulation, played in the middle of the bow, without
efford
Tutti Stacc ? short articulation, sounds bigger than ?Spicc?, two dynamics
Tutti Sfz ? sforzando,
playing with a sudden, strong emphasis; option of stacc. overlay
Tutti Pizz ? pizzicato, short articulation,